2010-2011 Exhibitions
Catherine White Ceramics
In this exhibition White
explores physical connections and visual links between multiple ceramic
objects. Exploiting surface and form while remaining within the sphere of use, her
work ranges from the handheld to large coiled jars. Objects are often roughly
layered with white slip and celadon glaze or reduced to the austere palette of
a wood-fired kiln.
-
Paint On!
Anita Peghini-Raber
April 15 - May 7, 2011 (Artist Talk & Reception Friday, April 15 at 6:45 p.m.)
ARTIST STATEMENT:
I believe visual art is a strong nonverbal communication tool. It transcends the meaning of words. it expresses the unsaid. I am interested in creating mystery and mood conceived in color and found in the full expression of aggressive paint application. My joy is focused on sharing this collective consciousness in the here and now.
Apron Strings
Susan Sterner
Director of Photojournalism, Corcoran College of Art + Design
January 12 - February 18, 2011
Web Article on Opening


Light Passing
Catherine Drabkin
October 22 - November 19, 2010
ARTIST STATEMENT:
A chair left in the yard unattended, forms of trees reflected in a
Breton river, or a stalk of celery in a glass become memorable for me
because of the light, or the echo of a human presence. These experiences
feel like visual poetry. Painting is a way for me to join the mystery
of observed reality, the life of imagination and memory. The forms,
colors and shapes of intimate or deep spaces help me learn not just
about a cherished place, but about myself as well.
Constructions and Collages
David Barnett
Courtesy of the Denise Bibro Gallery
Chelsea, New York
September 17 — October 17, 2010
ARTIST STATEMENT:
I begin much the way I would envision an author starts a piece of fiction. A character is born or a story line begins. If you listen carefully enough, the subject will help you to travel thru the entire journey. Whether it's a rusted piece of metal, branches from an oak tree, or a torn scrap of typography...the right juxtaposition can always find its way into one of my constructions. The more absurd the better. The end result happens when these various found or created elements come together to form a believable vision.
Past Warner Gallery Exhibitions
Muriel Hasbun Vessels & Vestiges, Syd Carpenter Still Processing, Barry Nemett Language of Landscape: Works from Italy, Lauren Scott and Thomas Walton Selected Works



